
New book Cesc Gelabert 2020
The first volume of “Paragrafies” collection edited by Comanegra, Mercat de les Flors and Institut del Teatre, in Barcelona. The book has been

NOM
GELABERT AZZOPARDI NOM 7—17 marzo 2019 Sala Petita—TNC El mundo era tan reciente, que muchas cosas carecían de nombre. Cien años de soledad,

Dirty hands and beauty – Biennale Danza 2015 Venezia
Dirty hands and beauty is one of the projects of the Biennale Danza 2015 di Venezia. Based on a fragment of the book by Paul Auster, Winter

Gelajauziek / Kukai (2013)
Gelajausiak!, A new choreography by Cesc Gelabert for Kukai, the young and dynamic traditional dance company based in the Basque country. The

Suite Requiem Verdi (Scuola Paolo Grassi , Milano) 2013
Suite dal Requiem di Verdi (dal 1987 al 2013) Versione ridotta e rivisitata Gelabert/Azzopardi 1987 1.Requiem 2. Dies Irae 3.Tuba mirum

ZumZum·Ka (1998)
In Catalan, ZUMZUM is an onomatopoeic word describing the buzzing sound of a swarm of bees, or a crowd of people. The letter K is analogous to

Orion (2007)
Orion is a choreographic formula, a theorem of dance, constructed from some of the explanations that modern science has given of reality. The

Sense Fi Conquassabit (2009)
The new production is composed of two new works by Cesc Gelabert, for ten dancers, and himself. Sense fi is immersed in the world of paradoxical

Belmonte (1988) and 2010 in celebration of 30th anniversary of the company.
In celebration of its 30th anniversary as a dance company, Gelabert Azzopardi has revived one of its most emblematic productions, Belmonte, of

Tranç (2012)
Tranç is a dance work directed by Cesc Gelabert and filmmaker Isaki Lacuesta. Gelabert himself is in charge of the stage performance, together

La muntanya al teu voltant (2011)
“Presence and the present: these are enigmas born of the movements you have made throughout your life. The movement of one person brushes against

KI (2010)
To mark the centenary of the Yachiyoza Theatre, which specialises particularly in kabuki, the City of Yamaga invited the Grec Festival to

Psitt!! Psitt!! Caravan (2005)
PSITT!! PSITT!! is created on a comissioned score composed by Pascal Comelade (piano and orchestration) and is a special tribute to Erik Satie.

8421… Viene regando flores desde la Habana a Morón (2003)
8421… attains a degree of abstraction through the String Quartet No.8 in C minor composed by Shostakovich in 1960. The piece performed by

Useless (2000)
Useless… (Information meets boy) The first work is a short choreography titled USELESS (Information meets boy…) and reflects the