On tour
New book Cesc Gelabert 2020
The first volume of “Paragrafies” collection edited by Comanegra, Mercat de les Flors and Institut del Teatre, in Barcelona. The book has been
Bauhaustänze Stäbe Reifen
Das Eröffnung.Festival 100 Jahre Bauhaus 24/januar/2019 Akademie der Künste Berlin
NOM
GELABERT AZZOPARDI NOM 7—17 marzo 2019 Sala Petita—TNC El mundo era tan reciente, que muchas cosas carecían de nombre. Cien años de soledad,
Framing Time
Framing Time (World premiere ) White light Festival Lincoln Center 1-2 November 2018 Baryshnikov Arts Center Jerome Robbins Theater In 2003, Cesc
Al lloc, inespecífic
In place, non-specific. Cesc Gelabert Dansa Ara in the Pedrera 11/16/2017 It is a work created to be represented in the basement of La Pedrera,
Soleá
Soleá Cesc Gelabert (Ciutat Flamenco) This project arises from a proposal by Israel Galván for the program of Ciutat Flamenco / City Fla.co.Men
WRITTEN ON AIR (Gelabert dances Novarina)
Premier Grec Festival de Barcelona 8 July 2016 (teatre Lliure) The Critics Prize 2016, Barcelona, for best dance solo for Escrit en L’Aire;
FOOT-BALL (2015) CURRENT PRODUCTION
According to Pasolini, football is a language in which players formulate signs with their bodies, and the viewers decrypt. The hybridization of
Triptych (2014)
Triptych is the generic title Gelabert’s new program of solos composed of three parts: Suite Santos, Domènech and Cesc Gelabert interprets
The Rock Cave of Heaven (2014)
Following the creation process started in 2013 in Mataró; Chieko Kojima and Cesc Gelabert reunite to present the second phase in the process of
Tranç (2012)
Tranç is a dance work directed by Cesc Gelabert and filmmaker Isaki Lacuesta. Gelabert himself is in charge of the stage performance, together
CESC GELABERT V.O. + (2012)
Cesc Gelabert presents a new show that includes the first performance of 3 solos and the reinterpretation of old pieces especially for this
Im (Goldenen) Schnitt I
In 1996, the dancer and choreographer Cesc Gelabert reconstructed the solo Im (Goldenen) Schnitt I by Gerhard Bohner (1936-1992), having studied
Cesc Gelabert Solos
Bauhaustänze Stäbe Reifen
Das Eröffnung.Festival 100 Jahre Bauhaus 24/januar/2019 Akademie der Künste Berlin
Framing Time
Framing Time (World premiere ) White light Festival Lincoln Center 1-2 November 2018 Baryshnikov Arts Center Jerome Robbins Theater In 2003, Cesc
Al lloc, inespecífic
In place, non-specific. Cesc Gelabert Dansa Ara in the Pedrera 11/16/2017 It is a work created to be represented in the basement of La Pedrera,
Soleá
Soleá Cesc Gelabert (Ciutat Flamenco) This project arises from a proposal by Israel Galván for the program of Ciutat Flamenco / City Fla.co.Men
WRITTEN ON AIR (Gelabert dances Novarina)
Premier Grec Festival de Barcelona 8 July 2016 (teatre Lliure) The Critics Prize 2016, Barcelona, for best dance solo for Escrit en L’Aire;
Triptych (2014)
Triptych is the generic title Gelabert’s new program of solos composed of three parts: Suite Santos, Domènech and Cesc Gelabert interprets
Click here to see twelve very short iPhone movies …….
Click here to see twelve very short iPhone movies filmed and edited by Gelabert……enjoy!
Cesc Gelabert interprets Vicente Escudero (2013)
The proposal was to create a solo as a homage to Vicente Escudero for the festival of Barri Brossa, La Seca Barcelona. Vicente Escudero, was born
CESC GELABERT V.O. + (2012)
Cesc Gelabert presents a new show that includes the first performance of 3 solos and the reinterpretation of old pieces especially for this
Glimpse (2004)
UA 40 minute video-dance solo project in collaboration with video artist Charles Atlas and composer Carlos Miranda. Gelabert presents a solo
Preludis (2002)
When the demigods were gathered to create human beings their mind wandered for a moment and the modelling paste solidified. The god of gods was
Im (Goldenen) Schnitt II
Gerhard Bohner IM (GOLDENEN) SCHNITT II Having reconstructed the first version of Im (Goldenen) Schnitt by Gerhard Bohner in 1996, three years
Im (Goldenen) Schnitt I
In 1996, the dancer and choreographer Cesc Gelabert reconstructed the solo Im (Goldenen) Schnitt I by Gerhard Bohner (1936-1992), having studied
Archive
New book Cesc Gelabert 2020
The first volume of “Paragrafies” collection edited by Comanegra, Mercat de les Flors and Institut del Teatre, in Barcelona. The book has been
NOM
GELABERT AZZOPARDI NOM 7—17 marzo 2019 Sala Petita—TNC El mundo era tan reciente, que muchas cosas carecían de nombre. Cien años de soledad,
Dirty hands and beauty – Biennale Danza 2015 Venezia
Dirty hands and beauty is one of the projects of the Biennale Danza 2015 di Venezia. Based on a fragment of the book by Paul Auster, Winter
Gelajauziek / Kukai (2013)
Gelajausiak!, A new choreography by Cesc Gelabert for Kukai, the young and dynamic traditional dance company based in the Basque country. The
Suite Requiem Verdi (Scuola Paolo Grassi , Milano) 2013
Suite dal Requiem di Verdi (dal 1987 al 2013) Versione ridotta e rivisitata Gelabert/Azzopardi 1987 1.Requiem 2. Dies Irae 3.Tuba mirum
ZumZum·Ka (1998)
In Catalan, ZUMZUM is an onomatopoeic word describing the buzzing sound of a swarm of bees, or a crowd of people. The letter K is analogous to
Orion (2007)
Orion is a choreographic formula, a theorem of dance, constructed from some of the explanations that modern science has given of reality. The
Sense Fi Conquassabit (2009)
The new production is composed of two new works by Cesc Gelabert, for ten dancers, and himself. Sense fi is immersed in the world of paradoxical
Belmonte (1988) and 2010 in celebration of 30th anniversary of the company.
In celebration of its 30th anniversary as a dance company, Gelabert Azzopardi has revived one of its most emblematic productions, Belmonte, of
Tranç (2012)
Tranç is a dance work directed by Cesc Gelabert and filmmaker Isaki Lacuesta. Gelabert himself is in charge of the stage performance, together
La muntanya al teu voltant (2011)
“Presence and the present: these are enigmas born of the movements you have made throughout your life. The movement of one person brushes against
KI (2010)
To mark the centenary of the Yachiyoza Theatre, which specialises particularly in kabuki, the City of Yamaga invited the Grec Festival to
Psitt!! Psitt!! Caravan (2005)
PSITT!! PSITT!! is created on a comissioned score composed by Pascal Comelade (piano and orchestration) and is a special tribute to Erik Satie.
8421… Viene regando flores desde la Habana a Morón (2003)
8421… attains a degree of abstraction through the String Quartet No.8 in C minor composed by Shostakovich in 1960. The piece performed by
Useless (2000)
Useless… (Information meets boy) The first work is a short choreography titled USELESS (Information meets boy…) and reflects the
Other choreographies
PREVIOUS COREOGRAPHIES 1986 Desfigurat 1987 Requiem de Verdi – Premio Ciutat de Barcelona 1988 Belmonte 1991 Belmonte (II) 1991 El somni